Film Critiques - Page 5 of 22 - Four Time Film School Dropout

Lee Cronin’s The Mummy (2026) Review – A Legacy Buried Beneath a Generic Possession Film

Lee Cronin’s The Mummy arrives with the promise of reinvention—an opportunity to exhume one of horror’s most enduring icons and […]

Damned If You Do, Damned If You Don’t presents itself as a modest, observational family comedy—one content to skim the

Kristoffer Borgli’s The Drama is a confrontational, emotionally raw examination of love, marriage, and the fragile moral frameworks that hold

Charliebird is a film built on emotional proximity yet defined by its refusal to fully open itself up. It understands

Kenny Riches’ Mouse presents itself as a modest crime drama, but beneath its stripped-down premise lies a far more incisive

Michael Haneke’s Funny Games does not simply unsettle. It accuses. What begins with the familiar architecture of a home-invasion thriller

Clemente Caster’s Cold Metal plays less like a traditional narrative and more like an observational exercise, lingering on the rhythms

There is a quiet devastation at the heart of Brand New Landscape, the kind that doesn’t announce itself through melodrama

Pietro Marcello’s Duse resists the familiar gravitational pull of the biopic. Rather than charting the life of Eleonora Duse from

One or Two attempts to capture the emotional fragmentation of a breakup, operating within the reflective space that follows separation.