Paris, Texas

By:Dominic La-Viola Wim Wenders’ Paris, Texas (1984) is not a film that announces itself through narrative urgency. It does not hook you with twists or forward momentum. Instead, it drifts. It breathes. It waits. In doing so, it becomes one of cinema’s purest demonstrations of mood as meaning—where atmosphere is not decoration, but the emotional … Continue reading Paris, Texas

Before Sunrise – Film Essay

By: Dominic La-Viola Richard Linklater’s Before Sunrise is one of those rare films that feels small on the surface—two strangers talking, walking, riding trains, drinking wine—yet somehow feels enormous. It’s a quiet movie that hits with the weight of an entire lifetime. And the magic comes from how much it trusts the simplest things in … Continue reading Before Sunrise – Film Essay